Monster Sightings

We do need our monsters, don’t we? To haunt the edges of our maps, to keep the shadowy spaces perilous, to rend and devour if it comes to that. To be something worse than we are. We squirm at the violence and gore of the horrors we build for movies and video games today. And that’s nothing new. Just look at what the Cyclops did to Odysseus’ crewmen (from the Fagles translation):

     Lurching up, he lunged out with hands toward my men
     and snatching two at once, rapping them on the ground
     he knocked them dead like pups—
     their brains gushed out all over, soaked the floor—
     and ripping them limb from limb to fix his meal
     he bolted them down like a mountain-lion, left no scrap,
     devoured entrails, flesh and bones, marrow and all!

Monsters have been popping up in my work since the beginning. My first published story was a bestiary of sorts, and it’s still lurking over at La Petite Zine. Most terrifying of all, I think, are the monsters we keep hidden. The secret monsters whose twisted existence we don’t dare acknowledge. That was the idea I was working from when I wrote “Inheritance,” a story about a man who discovers a strange beast in his recently deceased father’s basement.

That story, which originally appeared in the green issue of Fairy Tale Review, has just been reprinted in Monsters: A Collection of Literary Sightings, edited by B.J. Hollars.

The book includes stories by the likes of Kelly Link, Benjamin Percy, Matt Bell, Alissa Nutting, Kate Bernheimer, and Brian Baldi, who I first met some seven or eight years ago, on the night he read his Godzilla-themed story in a barn somewhere in Western Massachusetts.

Want to get your paws on a copy? The book is available now from Powell’s, Barnes & Noble, Amazon, and your local independent bookseller.

That Old Dead End

If you are among those who believe in that species of monster that goes by the name “spoiler,” and if you haven’t read The Third Policeman, you may wish to skip this one.

Seventy-two years ago today, Flann O’Brien (Brian O’Nolan) (Brian Ó Nualláin), wrote in a letter to William Saroyan: “When you get to the end of this book you realise that my hero or main character (he’s a heel and a killer) has been dead throughout the book and that all the queer ghastly things which have been happening to him are happening in a sort of hell which he earned for the killing. . . . I think the idea of a man being dead all the time is pretty new.”

Discussing The Third Policeman in class today, my students and I wondered whether this now familiar twist had in fact been done before 1940, but we couldn’t come up with an example. We also wondered whether certain phrases in the book—in particular “it is a difficult pancake” and “I am nothing but a gawm”—were O’Brien’s inventions, or if they were drawn from the common parlance of the day.

In any case, this novel is the finest of difficult pancakes, and I continue to puzzle over it with pleasure.

Recent Crimes

As one of the readers for this year’s Hammett Prize, I was tasked with helping to choose five finalists from among the hundreds of submitted books. As reported on the IACW site, the finalists were Feast Day of Fools by James Lee Burke, Claire DeWitt and the City of the Dead by Sara Gran, The Cat’s Table by Michael Ondaatje, The Informant by Thomas Perry, and The Killer Is Dying by James Sallis.

Picking those five finalists was no simple matter, and I found many other books deserving of recognition. Here are five more that I personally recommend.

The End of Everything by Megan Abbott is the story of a thirteen-year-old girl whose best friend disappears, apparently kidnapped. It’s a devastating novel that captures perfectly the way a small town can feel both claustrophobic and isolating while in the grips of a traumatic event.

 

The Sisters Brothers by Patrick deWitt is a western that pushes the boundaries of genre and form, and is at turns weird, brutal, and very funny. It put me in mind of Samuel Beckett, especially when the hired killer who narrates the story begins to ponder, say, the virtues of various tooth powder flavors. Probably my favorite novel of 2011, if I had to pick one.

Turn of Mind by Alice LaPlante, narrated by a woman with dementia, is a book that might have gone terribly wrong in the hands of another writer. There’s a murder mystery, but we come to know it via a fractured lens. As much a study of language and consciousness as a crime thriller, this book loosens our hold on time, identity, and memory it unfolds.

 

The Revisionists by Thomas Mullen is a long novel, but I read it in one day. Couldn’t put it down, as they say. A literary thriller with a time travel subplot, this book was layered and often surprising. The science fiction element contributes a political angle—one of the main characters is fighting to preserve a future we understand to be a chilling dystopia. But the book is very much about us, here and now.

The Quiet Twin by Dan Vyleta takes place in Vienna under the Nazi regime, and most of the action is confined to a single apartment complex. A dog is murdered. People have secrets and try to keep them. The villain of the story is a police detective, and he is completely terrifying. This is a disquieting book, packed with desperate and memorable characters.

Odd Plots & Haunted Sentences

One thing I’m looking forward to this year is a class I’ll be teaching at the UMass MFA Program in the spring, Odd Plots & Haunted Sentences. For those who might be curious, here’s the reading list.

The Other City, Michal Ajvaz (translated by Gerald Turner)
Poem Strip, Dino Buzzati (translated by Marina Harss)
The Wind’s Twelve Quarters, Ursula K. Le Guin
Magic for Beginners, Kelly Link
The Third Policeman, Flann O’Brien
Motorman, David Ohle
There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby, Ludmilla Petrushevskaya (selected and translated by Keith Gessen and Anna Summers)
The Weird, edited by Ann & Jeff VanderMeer

The Weird isn’t out in the United States yet, so I’m asking my students to special order it from England. It really is that good.

A Little More Gorey

Last week, I went to Cape Cod to read from Cape Cod Noir with fellow contributors Dana Cameron, William Hastings, and David Ulin (who also edited the book). One of the readings was hosted by the Falmouth Public Library. There, I met Jill Erickson, a reference librarian who happens to have performed in several of the Edward Gorey theatrical entertainments which were the inspiration for my story in the anthology, “Twenty-Eight Scenes for Neglected Guests.”

Jill showed me her files on the plays, including Chinese Gossip, Stumbling Christmas, and Heads Will Roll. There were scripts (marked up with notes from the actors and from Gorey), newspaper clippings, and the original programs.

Oh, and the puppets. On her flickr page, Jill has photos of the puppets.